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Nicholas Musuraca, A.S.C. (October 25, 1892 – September 3, 1975) was a motion-picture cinematographer who began his film career as the chauffeur for silent film producer J. Stuart Blackton. He worked behind the scenes on numerous silent and B-movie action films before becoming one of RKO Radio Pictures prime directors of photography in the 1930s. While working regularly at RKO, he was nominated for a 1947 Academy Award for his work on ''I Remember Mama''. After working briefly at Warner Bros. in the late 1950s, Musuraca joined Desilu, where he spent his last active years in TV work including the television series ''F Troop''. He collaborated with director Jacques Tourneur on ''Cat People'' (1942) and ''Out of the Past'' (1947). According to Eric Schaefer: :Nicholas Musuraca's name remains unjustly obscure among the ranks of cinematographers from Hollywood's golden age. In his prime years at RKO during the 1940s, Musuraca shuttled back and forth between A- and B-films, prestige pictures, and genre potboilers. For this reason, and because many of the motion pictures photographed by Musuraca have attained a classic or landmark status only recently, he remains a neglected master. :Along with Gregg Toland's work on ''Citizen Kane'' (1941), Musuraca's cinematography for ''Stranger on the Third Floor'' (1940) defined the visual conventions for the film noir and codified the RKO look for the 1940s. Musuraca's photography begins and ends with shadows, owing a major debt to German Expressionism, and can be seen as the leading factor in the resurrection of the style in Hollywood in the 1940s. The dominant tone in his work is black, a stylistic bias that lent itself to the film noir and the moody horror films of Val Lewton. :But even within the confines of the studio system Musuraca succeeded in transposing his style to other genres. The western ''Blood on the Moon'' (1948) and George Stevens's nostalgic family drama ''I Remember Mama'' (1948) are both infused with the same shadowy visuals that Musuraca brought to the horror film in ''Cat People'' (1942) and the film noir in ''The Locket'' (1946). Through the conventions of varying genres and the differing requirements of numerous directors, Musuraca maintained a uniform personal aesthetic". ==Selected filmography== * ''The Virgin Queen'' (1923) * ''On the Banks of the Wabash'' (1923) *''The Charge of the Gauchos'' (1928) * ''Side Street'' (1929) * ''The Cuckoos'' (1930) * ''Half Shot at Sunrise'' (1930) * ''Headline Shooter'' (1933) * ''Five Came Back'' (1939) * ''Golden Boy'' (1939, with Karl Freund) * ''Stranger on the Third Floor'' (1940) * ''Cat People'' (1942) * ''The Seventh Victim'' (1943) * ''The Ghost Ship'' (1943) * ''Gangway for Tomorrow'' (1943) * ''The Curse of the Cat People'' (1944) * ''The Spiral Staircase'' (1946) * ''Deadline at Dawn'' (1946) * ''The Locket'' (1946) * ''Out of the Past'' (1947) * ''The Bachelor and the Bobby-Soxer'' (1947) * ''I Remember Mama'' (1948) * ''Blood on the Moon'' (1948) * ''I Married a Communist'' (1949) * ''Where Danger Lives'' (1950) * ''Hunt the Man Down'' (1950) * ''Roadblock'' (1951) * ''Clash by Night'' (1952) * ''The Hitch-Hiker'' (1953) * ''The Blue Gardenia'' (1953) * ''Susan Slept Here'' (1954) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nicholas Musuraca」の詳細全文を読む スポンサード リンク
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